Classical Music Composer Amilcare Ponchielli - Classical Music Dance of the Hours

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Classical Music Composer: Amilcare Ponchielli 

Classical Music: Dance of the Hours

Born in Paderno Fasolaro, now Paderno Ponchielli, near Cremona, Ponchielli won a scholarship at the age of nine to study music at the Milan Conservatory, writing his first symphony by the time he was ten years old.

Two years after leaving the conservatory he wrote his first opera -- it was based on Alessandro Manzoni's great novel I promessi sposi (The Betrothed) -- and it was as an opera composer that he eventually found fame.

His early career was disappointing. Maneuvered out of a professorship at the Milan Conservatory that he had won in a competition, he took small-time jobs in small cities, and composed several operas, none successful at first. In spite of his disappointment, he gained much experience as the bandmaster (capobanda) in Piacenza and Cremona, arranging and composing over 200 works for wind band. Notable among his "original" compositions for band are the first-ever concerto for euphonium (Concerto per Flicornobasso, 1872), fifteen variations on the Neapolitan song "Carnevale di Venezia", and a series of festive and funeral marches that resound with the pride of the newly unified Italy and the private grief of his fellow Cremonese. The turning point was the big success of the revised version of I promessi sposi in 1872, which brought him a contract with the music publisher G. Ricordi & Co. and the musical establishment at the Conservatory and at La Scala. The ballet Le due gemelle (1873) confirmed his success.

The following opera, I Lituani (The Lithuanians) (1874), was also well received, being performed later at Saint Petersburg (as Aldona - November 20, 1884). His best known opera is La Gioconda, which his librettist Arrigo Boito adapted from the same play by Victor Hugo that had been previously set by Mercadante (Il Giuramento, 1837) and Carlos Gomes (Fosca, 1873). It was first produced in 1876 and revised several times. The version that has become so popular today was first given in 1880.

In 1876 he started working on I mori di Valenza (the project dates back to 1873), an opera he never finished, although it was completed later by Arturo Cadore and performed posthumously in 1914.

After La Gioconda, Ponchielli wrote the monumental biblical melodrama in four acts Il figliuol prodigo (Milan, Teatro alla Scala, December 26, 1880) and Marion Delorme, from another play by Victor Hugo (Milan, Teatro alla Scala, March 17, 1885). In spite of their rich musical invention, neither of these operas met with the same success but both exerted great influence on the composers of the rising generation, like Puccini, Mascagni and Giordano.

In 1881, Ponchielli was appointed maestro di cappella of the Bergamo Cathedral, and from the same year he was a professor of composition at the Milan Conservatory, where among his students were Giacomo Puccini, Emilio Pizzi, and Pietro Mascagni.

He died in Milan and was interred there in the Cimitero Monumentale.

Although in his lifetime Ponchielli was very popular and influential, in introducing an enlarged orchestra and more complex orchestration, the only one of his operas regularly performed today is La Gioconda. It contains the great tenor romanza "Cielo e mar", a superb duet for tenor and baritone "Enzo Grimaldo" , the soprano set-piece "Suicidio!" and the ballet music "The Dance of the Hours", known even to the non-musical from its use in Walt Disney's Fantasia (1940), and other popular works.

Classical Music Composer: Amilcare Ponchielli 

Classical Music: Dance of the Hours

Dance of the Hours is a ballet from the opera La Gioconda composed by Amilcare Ponchielli.

The ballet was used in the Walt Disney animated film Fantasia, albeit with ballet-dancing hippos (complete with tutus), ostriches, alligators and elephants. Some of the orchestration was revised by conductor Leopold Stokowski.

The piece may best be recognized from one segment of it that formed the basis for the hit song "Hello Muddah, Hello Fadduh" and its sequel "Return to Camp Granada" by Allan Sherman. That same segment has also been used in television advertisements (Velveeta, et al.) as recently as 2005. It is also the source of the tune for the song "Like I Do", a hit for Maureen Evans in 1962.

The rendition by Spike Jones and His City Slickers included several segments of the melody, although presented out of order to suit the presentation of the record, a parody of the Indianapolis 500 that was effectively a sequel to their William Tell Overture. The portion recognizable as the basis for "Hello Muddah, Hello Fadduh" is executed by banging pipes and honking bicycle horns, with each individual "clang" or "honk" producing the proper pitch of the note.

On the reverse side of the Jones recording released to radio stations was a "Musical Round Table" discussion, during which Jones and some of his performers described the recording of the song, including commentary on instrumentation. Jones famously introduced the discussion with his trademark "Thank you, music lovers", then proceeded to dissect the recording, inserting excerpts where needed.

Choreographer Christopher Wheeldon created a new rendition of Dance of the Hours for his ballet company, Morphoses . The work was featured in the company's New York debut, on October 17, 2007.

The music also appeared in an episode of Garfield and Friends entitled "The Garfield Opera", in which Garfield and the others sing to the music's tune.

Wakko from Animaniacs belches Dance of the Hours.

It is heard in the beginning of an episode of Camp Lazlo.

In History of the World Part I, Madeline Kahn selects slaves for her entertainment by singing a song based on the final melody of Dance of the Hours.

The "Hello Muddah, Hello Fadduh" section can be heard in the episode of The Simpsons entitled "The Burns and the Bees" as Mr. Burns attends Billionaires Camp and also in "Marge Be Not Proud" as Bart replaces the tape of the answering machine with a cassette of the song.